Roberto Pugliese


For Roberto Pugliese technology has never been an end in itself. This sound-artist, who has been working with Studio la Città for some years now, always places life-flow in the foreground: sound and technique as components of a happy interaction between nature and artifice. His large-scale installations, characterized by both conceptual sophistication and the visibility of the cables and sound transmitters as though they were organic elements, have ensured his fame on the international sound-art scene. With the works presented for the first time in “Concerto per natura morta”, A Concert for Still-Life, the young artist’s development has been further enriched with new ideas to create an aesthetic in which technology and sound interact with natural materials. The large-scale installation which gives its name to the show is made from 13 large chestnut trunks that have been hollowed out with a special-purpose machine. The trees employed had already died of causes related to the development of the woodland in which they had grown. In this way the artist creates a natural broadcasting mechanism which transmits sounds that begin their life from the very noises and frequencies mechanically generated by the preparatory operations of the trunks themselves. So we could say that the “Concerto per natura morta” gives life back to the trees and music becomes their

new lymph. The medium used for another work is clay. “Risonanti pressioni materiche” is a wall-piece in which the sound created by Pugliese is emitted by a series of small “trumpets” placed side by side. In this case too electronics are twinned with a natural material, and the resultant acoustics derive from this relationship. The same things comes about in the work “Fluide propagazioni alchemiche”: the speakers are immersed in various liquids contained in a series of large carboy-like glass bottles. The floor-based installation thus generates sounds different, not only for their compositional qualities, but also for the differing resistance and propagation of the sound waves through various densities. Furthermore, as is always the case with Roberto Pugliese’s work, the sound created by the artist originates in the materials that he uses as well as in the parameters that the elements of the works contain and that are developed according to mathematical formulae. In this way the sound becomes genuinely and wholly organic, and visual perception is augmented by a multimedia and poly-sensorial aesthetic of complexity. Probably these latest works are a new arrival point for an artist who has always been in search for experiences relating together art, sound, and nature. (Valerio Dehò)
See biography

Available works


Available works

  • Tromba solo - Omaggio a Paolo Fresu, 2016

    trumpet, speaker, playback system and audio composition, iPod
    15,5 x 24 x 11,5 cm

  • Violino solo, 2016

    violin, steel spacer and wall plex, audio reproduction system and single-channel audio composition, phone and charger
    59 x 22 x 20 cm

  • La finta semplice, 2016

    4 contrabassi, 4 violoncelli, 4 viole e 4 violini, corde in metallo, cavi, sistema di riproduzione audio, composizione multicanale 4 basses, 4 cellos, 4 violas, 4 violins, metal ropes, cables, audio playback system, multichannel composition dimensioni ambientali / environmental dimensions installation view - Museo degli Affreschi, Chiesa di San Francesco al Corso, Verona

  • Quintetto, 2016

    strings, wire stands, speakers, musical composition and audio playback system
    environmental dimensions

  • Aritmetiche architetture sonore, 2012

    steel cables, speakers, audio playback system
    environmental dimensions

  • Acustiche derive visionarie, 2011

    12 plexiglass tubes, speakers, cables, dvd
    environmental dimensions

  • Concerto per natura morta, 2014

    chestnut logs, speakers, audio cables, musical composition, audio playback system
    environmental dimensions

  • Risonanti pressioni materiche, 2014

    ceramic trumpets, plexiglass, musical composition, audio playback system

  • Fluide propagazioni alchemiche, 2014

    underwater speakers, glass, audio cables, various liquids, musical composition, audio playback system

  • Critici Ostinati Ritmici, 2011

    wood, microcontroller, electromagnets, software, sensors, access the internet
    variable dimensions

  • Unità minime di sensibilità, 2011

    circuits, computers, sound cards, speakers, high speed Internet, cable
    variable dimensions


  • On Saturday 3 March 2018, at 11:30 am, Studio la Città will be opening the show Risonanze [resonances]: a double solo show curated by Valerio Dehò, with works by David Leverett, an English artist from 1938, and Roberto Pugliese, a young sound artist from Naples.
    3 March – 5 May 2018 | Studio la Città – Verona