Mikhael Subotzky

Like many small South Africa towns, Beaufort West is still highly segregated. The quiet streets of the town itself are clustered around the main road and still house an almost exclusively white population. They go their daily lives largely unaware of what goes on in the outlying townships where the majority of the population live.
The local jail, too, is on the main road, and it is what caught Mikhael Subotzky’s attention: ‘I was drawn to Beaufort West because its prison is bizarrely situated in a traffic circle in the centre of the town in the middle of the N1 highway,’ Subotzky says. ‘Most South African prisons are hidden from view on the outskirts of our towns and cities. I was interested in this image of the prison at the centre of the town.’ The jail’s location is no accident. Many of the first white people to live in these parts were banished here, nearly 200 years ago, to what was then the remotest outpost of the British Cape Colony.

Out in the far reaches of the Karoo, these white outcasts clashed with souls at the fringes of southern Africa’s two indigenous civilisations: bands of Xhosa who had fled war in the east, and itinerant groups of KoiSan. No modern state is comfortable about a place within its territories that harbours people but no laws. The town of Beaufort West was established to bring law and order to the Central Karoo. Among its first structures were the rudiments of a state: magistrate, courthouse, church and jail. So the fact that the prison stands in the middle of the main road is testimony to Beaufort West’s origins; it is civilisation’s mark: a grim sentinel of order.
Today, the jail’s main function is surely a good deal shabbier than that. It warehouses those of Beaufort West’s citizens who, defeated by prolonged idleness and liquor, have assaulted family or robbed neighbours.
See biography

Available works


Available works

  • Tamatie, Beaufort West Prison, 2006

    light jet C- print on Fuji Crystal Archive paper
    122 x 145,5 cm

  • Jacks Shine Swanepoel's Shoes, Beaufort West Prison, 2006

    light jet c-print on Fuji Crystal Archive paper
    122 x 145,5 cm

  • Jaco, Beaufort West Prison, 2006

    light jet C- print on Fuji Crystal Archive paper
    122 x 145,5 cm

  • Pasvang, Pollsmoor, 2004

    pigment print on coton paper
    47 x 70 cm

  • Michelle, Mallies Household, Rustdene Township, 2008

    light jet c-print on Fuji crystal archive paper
    122 x 145,5 cm

  • Street Party Saxonwold (0330), 2008

    injekt print su Dibond with face-mounted toughened glass smashed by the artist
    100 x 125 cm

  • Doctor, Vaalkoppies, Beaufort west rubbish dump, beaufort west (0445), 2006

    injeckt print on Dibond
    80 x 100 cm


  • Installation view, 2007

    Studio la Città, Verona


  • Masculinities: Liberation through Photography is a major group exhibition that explores how masculinity is experienced, performed, coded and socially constructed through the works of photographers and film-maker from the 1960s to the present day, featuring also some pieces by Mikhael Subotzky. Barbican Art Gallery, Silk Street – London |20 February – 17 May 2020