
A highly experienced artist, defined by irrepressible research and continuous experimentation that has distinguished different periods of her artistic career.
But it was at the end of the 1980s that “painting painting” gained the upper hand, and he himself says:
“I paint the concept of painting, I paint the act of painting, I have been painting the same painting for thirty years (and a little more), I paint as I write, I paint as Lester Young played the sax (less well), I paint to destroy the space of painting, I paint to create my own, I paint because I am happy, I paint because I am sad, I paint to not die (like everyone), I paint because I love life I don’t know what people will do with my painting, nor with that of everyone else.”
In those years Patelli frantically painted large works starting from the size 100 x 70: a mixed technique on paper where there is no shortage of collage or some slashes, all framed in a thin white or black frame with glass or Plexiglass.
From the multiplication of that measurement, works reaching up to 4 meters were initiated.
Available works
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Passare a nuoto, 1990
Acrylic on paper
100 x 90 cm -
I Love You Baby, 1988
Acrylic on paper
140 x 100 cm -
In vista di Taraudant, 1990
Acrylic on paper
200 x 153 cm -
ST, 1990
Acrylic on paper
17 x 15 cm -
N.3, 1991
Acrylic on paper
50 x 35 cm -
ST, 1990
Acrylic on paper
17 x 20 cm
Installations
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Paolo Patelli, Il coraggio della pittura, 2024
Installation view, Studio la Città
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Paolo Patelli, Il coraggio della pittura, 2024
Installation view, Studio la Città
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Paolo Patelli, Il coraggio della pittura, 2024
Installation view, Studio la Città